Prometheus alien

Prometheus Alien __localized_headline__

Gegen Ende des Jahrhunderts: Weltweit werden bei den verschiedensten Kulturen Zeichnungen gefunden, die gemeinsam eine Sternenkarte bilden. Eine Gruppe von Wissenschaftlern macht sich mit dem Raumschiff `Prometheus' auf den Weg ins All, um das. Prometheus ist Teil der Alien-Filmreihe. Inhaltsverzeichnis. 1 Handlung; 2 Hintergrund. susannenygards.se - Kaufen Sie Prometheus to Alien: Evolution günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details. REVIEW: Ridley Scott kehrt nach 30 Jahren, nach Alien und Blade Runner, wieder ins SciFi-Business zurück. Die Trailer zu Prometheus waren fantastisch und die. In "Prometheus" erzählt Ridley Scott eine etwas andere Schöpfungsgeschichte. Sein "Alien"-Prequel besticht mit schrecklich-schönen Bildern.

prometheus alien

Eigenständiges Prequel zu Ridley Scotts "Alien" aus dem Jahre Originaltitel. Prometheus. Verleiher Fox Deutschland. Weitere Details. Ridley Scott macht wieder Sci-Fi und wagt sich ins Alien-Universum. Entsprechend hoch sind die Erwartungen an Prometheus. Aber ähnlich wie in einer. In "Prometheus" erzählt Ridley Scott eine etwas andere Schöpfungsgeschichte. Sein "Alien"-Prequel besticht mit schrecklich-schönen Bildern.

Prometheus Alien - Navigationsmenü

Vereinigtes Königreich , Vereinigte Staaten. Vickers setzt sich zuvor mit einer Rettungskapsel ab und gelangt auf die Mondoberfläche zurück. Marc Streitenfeld , Harry Gregson-Williams. Suche öffnen Icon: Suche. Rapace und Fassbender waren grandios und haben den Film meiner Meinung nach stark aufgewertet, zwei schwächere Darsteller wären fatal für den Film gewesen.

Prometheus Alien - Fest für Augen und Ohren

Werbefreiheit auf GameStar. Bei einer Pressekonferenz im Juli kündigte Scott an, der Film solle kaum digitale, sondern vor allem traditionelle Spezialeffekte enthalten und visuell entfernt an Blade Runner erinnern. Das Raumschiff Prometheus ist auf einer Forschungsmission. Fassbender darf seinen Androiden mit für ein Maschinenwesen sehr vielen Facetten vortragen. User folgen 6 Follower Lies die 91 Kritiken. Although marketers typically avoid collaborating with adult-oriented films to focus on reaching broader audiences, the film attracted several promotional partners including Coors, Amazon, and Verizon FiOS. June 19, Annie Penn voice Robin Atkin Downes voice. April 8, Action Adventure Horror. Alternate Versions. How do you make anyone care click at this page events between creatures like this? Spaihts was tasked with exploring unresolved mysteries from Aliensuch as the Space Jockey. Deadline Hollywood. 20th Century Fox hat einen offiziellen Kurzfilm zum kommenden Science-Fiction-​Streifen Alien: Covenant veröffentlicht. Eigenständiges Prequel zu Ridley Scotts "Alien" aus dem Jahre Originaltitel. Prometheus. Verleiher Fox Deutschland. Weitere Details. Ridley Scott macht wieder Sci-Fi und wagt sich ins Alien-Universum. Entsprechend hoch sind die Erwartungen an Prometheus. Aber ähnlich wie in einer.

Spaihts stated: "making the leap from a star map, to an Enlightenment painting, and then back into the far future.

Frequent Scott collaborator Marc Streitenfeld composed the musical score for Prometheus. The score was recorded over one week with a piece orchestra at Abbey Road Studios in London, England, where it was also processed by Scott after the fact.

Streintenfeld began coming up with ideas for the score after reading the script prior to the commencement of filming.

To create an "unsettling" sound, he provided the orchestra with reversed music sheets to have them play segments of the score backwards, before then digitally reversing it.

It features 23 tracks by Streitenfeld, plus two supplemental tracks by composer Harry Gregson-Williams. Prometheus's marketing campaign began on July 21, , at the San Diego Comic-Con International, where images and footage from the film were presented by Lindelof and Theron, with Scott and Rapace participating via satellite contribution.

A segment of the footage showed Theron performing "naked push-ups" which attracted much attention. A teaser poster was revealed on December 14, , with the tagline, "The search for our beginning could lead to our end.

The teaser trailer was released on December 22, Reaction to the trailer was considered to be positive among WonderCon attendees and on Twitter, and it received nearly three million views in the three days following its release.

On April 10, , media outlets were shown a 13 minute montage of scenes from the film's opening in 3D at the Vue Cinema in Leicester Square, London.

On April 29, , the international launch trailer debuted in the United Kingdom on Channel 4 during the first advertisement break of the TV show Homeland.

Viewers were encouraged to share their opinions about the trailer on Twitter, some of which were then shared in a live broadcast during a later break.

This marked the first time that viewers' tweets were used in a broadcast advertisement. Alongside the trailer, a competition was launched on the social platform Zeebox, offering viewers a chance to win tickets to the film whenever Zeebox detected the advertisement airing.

On May 8, , the advertisement became subject to an investigation by the British broadcasting regulatory body Ofcom for allegedly breaching broadcast rules when a voice over encouraged viewers to book tickets while the advertisement played and with the Channel 4 logo onscreen.

The act potentially broke a rule that advertising and teleshopping must be clearly distinguishable from editorial content.

Although marketers typically avoid collaborating with adult-oriented films to focus on reaching broader audiences, the film attracted several promotional partners including Coors, Amazon, and Verizon FiOS.

Amazon directed interested users to purchase tickets through Fandango, and placed promotional material in products shipped to customers; this was the first time that Amazon had allowed such marketing by an external company.

The event was facilitated by BumeBox, which culled audience questions from social sites and delivered them to reporters to ask at the event.

A viral marketing campaign began on February 28, , with the release of a video featuring a speech by Pearce, in character as Peter Weyland, about his vision for the future.

Set in , the video presents a futuristic vision of a TED conference, an annual technology and design event held in Long Beach, California.

The segment was conceived and designed by Scott and Lindelof, and directed by Scott's son, Luke. The production was made in collaboration with, and made available through TED because Lindelof wanted to introduce new audiences to the conference itself.

TED community director Tom Rielly helped gain approval for the use of the TED brand, which had not previously been used for promotional purposes.

He was involved in designing the conference, preparing an "extensive briefing on all the visual and audio aspects of a TEDTalk circa and a corresponding speculation on how things would work in the future", that included flying video cameras and "live Twitteresque feedback".

Rielly claimed that the association generated millions of new visitors to the TED website. The video's release was accompanied by a fictional TED blog about the conference and a tie-in website for the fictional Weyland Corporation.

On March 6, , the Weyland website was updated to allow visitors to 'invest' in the company as part of a game to reveal new Prometheus media.

During the WonderCon, attendees at the film's panel were given Weyland Corporation business cards that directed them to a website and phone number.

Calling the number resulted in the caller being sent a text message from Weyland Corporation that linked them to a second viral video.

Narrated by Fassbender, the video is presented as an advertisement for the "David 8" android, portrayed by Fassbender.

An extended version of the video was released on April 17, The advertisement details "David"'s features including its ability to seamlessly replicate human emotions without the restrictions of ethics or distress.

Accompanying the video, a full page "David" advertisement was placed in The Wall Street Journal; a Twitter account operated by a David8 was revealed, allowing Twitter users to ask the character questions; and a partnership with Verizon FiOS was launched, offering a virtual tour of the Prometheus spaceship.

In the video, Shaw requests Weyland's aid to seek out alien life, in a phone call monitored by Yutani, a fictional company from the Alien series.

In France, the Saint-Martin ghost train station was converted in appearance to resemble alien architecture from the film, visible to passing commuters.

The campaign continued following the film's release with a website referencing the philosophical novel Thus Spoke Zarathustra by Friedrich Nietzsche, and a further video of Pearce's Weyland, quoting the book.

Discussing the videos at the May Digital Hollywood conference, Lindelof claimed that they originated from the question of the film's status as an Alien prequel.

It was decided that creating videos with the film's stars would generate more interest than anything that could be said in regards to its connection to the Alien films.

He furthered that the challenge in creating the videos was that they needed to be good enough to justify their existence, but not so important that their absence from the final film would be an issue for audiences.

It was simultaneously released in IMAX theaters and in 3D, and it is encoded for D-Box motion seats that provide physical feedback to the viewer during the film.

In North America, audience tracking showed high interest among males of all ages, but low interest among females.

The week preceding release saw conflicting opinions on whether the film or Madagascar 3: Europe's Most Wanted would place number 1 for the weekend during their simultaneous release.

Additionally, the online tracking for Prometheus surged with each new piece of promotional footage.

However, pre-release tracking is usually less reliable for animated films; since Madagascar 3 was the first truely family-oriented film of the summer, many speculated that there would be large demand for it.

Prometheus was also in the disadvantage of a less wide release 3, theaters against 4, theaters for Madagascar 3.

Furthermore, the R rating of the film was considered a limiting obstacle. Prometheus was initially released in 15 markets from May 30 to June 1, — about a week before its North American release.

The earlier start in these countries was timed to avoid competition with the start of the UEFA European Football Championship the following week.

The figure placed it as the number 3 highest-grossing second-place opening, the number 10 highest-grossing opening for an R-rated film, and it marked Scott's second highest-grossing opening behind the thriller Hannibal Reviews were frequently praising of both the film's visual aesthetic and design, and Fassbender's performance as the android David received almost universal acclaim.

However the plot drew a more mixed response, with criticism of plot elements that remained unresolved or were predictable, tempered by appreciation for the action and horror set-pieces.

The Hollywood Reporter's Todd McCarthy called the film's visuals vivid, stunning and magnificent on a technical level, singling out the performances of Fassbender, Rapace and Theron for praise, but lamented that the film catered too much to audience expectations, making it predictable.

Time Out London's Tom Huddleston felt the plot was "flat" and "predictable", the characters "emotionless", and that while the film was "perfectly entertaining", it did not live up to pre-release expectations.

Emanuel Levy cited the plot as his only complaint with the film, stating that it is unable to follow through with its philosophical ideas.

Roger Ebert gave the film 4 out of 4 stars, labeling it a "magnificent Ebert thought that the plot, in raising questions and not answering them, made the film "intriguing" and in the "classic tradition of golden age sci-fi".

Total Film's Jonathan Crocker however offered that the plot successfully integrated itself with Alien's mythology while offering its own original ideas.

Entertainment Weekly's Lisa Schwarzbaum was positive towards the cast, particularly Rapace, and the cinematography. Salon's Andrew O'Hehir offered that the film was "somber, spectacular and ponderous," but that the " portentousness and grandiosity O'Hehir also mentioned Wolski's cinematography and Max's production design.

The New York Times' A. Scott criticized the story as weak, undermining its "lofty, mindblowing potential" with "bits of momentarily surprising information bereft of meaning or resonance", but described Rapace as a "fine heroine, vulnerable and determined".

In a negative review, Variety film critic Justin Chang described the film's structure and genre as being unable to handle the philosophical undertow of the plot, and felt Prometheus was "lazily deferring" key plot points under the presumption that a sequel would be made.

The Guardian's Peter Bradshaw was less critical but thought that Prometheus "[lacked] the central punch of Alien", calling the film "more grandiose, more elaborate — but less interesting".

The Village Voice's Nick Pinkerton stated that the film is "prone to shallow ponderousness", that can "mimic the appearance of an epic, noble, important movie", but fails to "payoff".

He criticized Rapace and Marshall-Green for failing to instill interest in their character relationship, but added: "there are a few set pieces here that will find a place of honor among aficionados of body horror and all things clammy and viscous".

Lovecraft, to the drawings of William Blake. In North America, the DVD and Blu-ray disc versions of the film were listed for pre-order in partnership with Amazon, a week before the film had been released in theaters.

A limited number of tickets to the film were offered as a pre-order incentive. In a June , interview Scott stated that the home release would feature an extended cut of the film featuring an additional 20 minutes of footage and up to 30 minutes of deleted scenes.

In June , FX obtained the rights to the film's network premiere. During the March 17, WonderCon, Scott stated that the film leaves many questions unanswered, and that these could be answered in a sequel, saying "If we're lucky, there'll be a second part.

It does leave you with some nice open questions. Further detailing his sequel concept, Scott stated that it would follow Shaw to her next destination, "because if it is paradise, paradise cannot be what you think it is.

Paradise has a connotation of being extremely sinister and ominous. At the same time, I do feel like [Prometheus] might benefit from a fresh voice or a fresh take or a fresh thought.

Sign In Don't have an account? Start a Wiki. Contents [ show ]. Elizabeth Shaw Noomi Rapace David Michael Fassbender Peter Weyland Guy Pearce Janek Idris Elba Charlie Holloway Logan Marshall-Green Meredith Vickers Charlize Theron Millburn Rafe Spall Fifield Sean Harris Ford Kate Dickie Chance Emun Elliott Ravel Benedict Wong Shaw's father Patrick Wilson Young Shaw Lucy Hutchinson Last Engineer Ian Whyte Sacrifice Engineer Retrieved December 10, Retrieved 25 May Shadow Nation Podcast.

Spreaker Podcasts Inc. Event occurs at Retrieved 11 June The Sydney Morning Herald. Retrieved 21 April Retrieved 22 May Archived from the original on June 16, Retrieved March 18, The Hollywood Reporter.

Prometheus Global Media. Archived from the original on June 14, Retrieved June 12, BBC Online. Archived from the original on November 10, Retrieved June 17, Yeah, it's not the same planet at all.

If there was a sequel to this, which there might be if the film is successful, there'll be two more of these before you even get to Alien 1.

Retrieved August 1, Retrieved December 20, Retrieved September 26, Retrieved May 22, Retrieved 24 September Retrieved November 15, Retrieved November 16, May 24, Retrieved October 19, Retrieved August 30, Minister for Foreign Affairs.

October 22, Retrieved April 24, Retrieved 26 August Retrieved March 29, August 2, Retrieved August 3, Retrieved December 23, Retrieved 21 June Retrieved 22 December Retrieved February 24, February 25, Retrieved February 27, March 15, Retrieved March 15, The Playlist.

Retrieved December 9, The Art of VFX. SSN Insider. April 8, Retrieved April 9, The Inquisitr News. April 4, April 5, Retrieved August 18, Australian Broadcasting Corporation.

Rolling Stone. ProVideo Coalition journal. Sight and Sound. Retrieved July 6, Retrieved August 6, December 25, The New Yorker. Advance Publications.

Retrieved May 26, Retrieved November 17, February 28, China Film Insider. Internet Movie Data Base. Archived from the original on 25 August Retrieved 24 August Alien: Covenant.

The Art and Making of Alien: Covenant. Archived from the original on July 26, Retrieved 22 June Los Angeles Times.

The Tracking Board. Retrieved May 14, Retrieved June 18, May 16, May 17, May 23, Retrieved May 28, Retrieved June 5, CBS Interactive Inc.

Retrieved September 3, The Guardian. London: Guardian News and Media Limited. The Independent London. The New York Times.

Retrieved 18 May Bloody Disgusting! Ebert Digital LLC. Retrieved 15 May Retrieved 16 January Retrieved 17 Jan This time, colonial marines have impressive firepower, but will that be enough?

After a space merchant vessel receives an unknown transmission as a distress call, one of the crew is attacked by a mysterious life form and they soon realize that its life cycle has merely begun.

A group of elite warriors parachute into an unfamiliar jungle and are hunted by members of a merciless alien race. Soon, the team realize that only one species can win.

A team of commandos on a mission in a Central American jungle find themselves hunted by an extraterrestrial warrior.

The Predator returns to Earth, this time to stake a claim on the war-torn streets of a dystopian Los Angeles.

Warring Alien and Predator races descend on a rural Colorado town, where unsuspecting residents must band together for any chance of survival.

The main crew of the Covenant and their android Walter enjoy a final meal before cryosleep on their way to a remote planet.

An astronaut becomes stranded on Mars after his team assume him dead, and must rely on his ingenuity to find a way to signal to Earth that he is alive.

Following clues to the origin of mankind, a team finds a structure on a distant moon, but they soon realize they are not alone.

So I saw the long awaited "Prometheus" tonight. Overall, rather good, but the characters annoyingly and jarringly flaunted so many basic health and safety regulations regarding potential contamination, infection, quarantine and exposure to physical injury from not wearing adequate safety equipment in an unfamiliar extra-terrestrial environment etc.

Maybe we're just supposed to be careless or stupid in about 80 years' time. Also, while not being pro-god or creationist as such, it did kind of take a dump on Darwinism and the role of evolution in our existence.

Being in 3D was fairly pointless. I even had to check that it was by taking the glasses off. It was, but barely noticeable. Gorgeous sets and imagery, but I wasn't too happy about what the Engineers or "Space Jockeys" look like under their bio-mechanical suits.

It was plagued by thoroughly unbelievable and rather unprofessional characters as well. Dumb scientists and ship crew lacking the professional integrity you'd expect from a trillion dollar mission.

Oh, and the old Weyland guy was a bit rubbish. Just Guy Pearce with lame prosthetic wrinkles. How about using an actual old man actor with an actual old bone structure?

He stuck out like a sore thumb. Anyway, I have to pick fault, but it's very much worth a watch and most people aren't as picky as me I guess.

I still wish they'd stop making films as if we're all dumb 15 yr old kids without any real intelligence though. And it should have been purposely made to be an 18 certificate in the UK at least.

Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits.

Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings.

External Reviews. Metacritic Reviews.

Q: What is the timeline for all the 'Alien' movies? A second Covenant novel by Foster was initially billed as prometheus alien book link to the film to be released in Septemberbefore being revealed as a direct prequel to Covenant under the title Https://susannenygards.se/hd-serien-stream/tgrkisch-fgr-anfgnger-stream-german.php Covenant — Origins. Spaihts was tasked with exploring unresolved mysteries from Alienclick as the Space Jockey. The still-active David communicates with Shaw and reveals that the Engineer is going to release the black liquid mutagen on Earth, so she convinces Janek to stop the Engineer spaceship, which he does by crashing the Prometheus into it after sacrificing himself along with the remaining crew. American Cinematographer. Alternatives including the Mojave Desert article source been considered alongside Iceland, but Scott explained that the country was ultimately chosen because "here it is so rough and 'Jurassic-like' and that proved decisive". Charalambos Dendrinos voice Automated Voice Amharic O'Hehir also mentioned Wolski's cinematography and Max's production design.

To create a casual, relaxed appearance, Marshall-Green's Holloway was dressed in hoodies, fisherman pants, and flip-flops, while Elba wore a canvas-greased jacket to represent his long career at the helm of a ship.

Neal Scanlan and Conor O'Sullivan developed the film's alien creatures, aiming to convey each creature as having a logical biological function and purpose.

Scanlan stated that much of Scott's inspiration for creature design is drawn from natural life such as plants and sea creatures.

A key scene involving a large 3D hologram star map was inspired by the Joseph Wright painting "A Philosopher Lecturing on the Orrery", in which a scientist displays a mechanical planetarium by candlelight.

While discussing the necessity of a star map with Spaihts, Scott mentioned the painting as how he saw the map being physically represented, although he was unaware of the name and described it only as "circles in circles with a candle lit image".

To Scott's pleasure, Spaihts located the correct image based on his description. Spaihts stated: "making the leap from a star map, to an Enlightenment painting, and then back into the far future.

Frequent Scott collaborator Marc Streitenfeld composed the musical score for Prometheus. The score was recorded over one week with a piece orchestra at Abbey Road Studios in London, England, where it was also processed by Scott after the fact.

Streintenfeld began coming up with ideas for the score after reading the script prior to the commencement of filming.

To create an "unsettling" sound, he provided the orchestra with reversed music sheets to have them play segments of the score backwards, before then digitally reversing it.

It features 23 tracks by Streitenfeld, plus two supplemental tracks by composer Harry Gregson-Williams. Prometheus's marketing campaign began on July 21, , at the San Diego Comic-Con International, where images and footage from the film were presented by Lindelof and Theron, with Scott and Rapace participating via satellite contribution.

A segment of the footage showed Theron performing "naked push-ups" which attracted much attention. A teaser poster was revealed on December 14, , with the tagline, "The search for our beginning could lead to our end.

The teaser trailer was released on December 22, Reaction to the trailer was considered to be positive among WonderCon attendees and on Twitter, and it received nearly three million views in the three days following its release.

On April 10, , media outlets were shown a 13 minute montage of scenes from the film's opening in 3D at the Vue Cinema in Leicester Square, London.

On April 29, , the international launch trailer debuted in the United Kingdom on Channel 4 during the first advertisement break of the TV show Homeland.

Viewers were encouraged to share their opinions about the trailer on Twitter, some of which were then shared in a live broadcast during a later break.

This marked the first time that viewers' tweets were used in a broadcast advertisement. Alongside the trailer, a competition was launched on the social platform Zeebox, offering viewers a chance to win tickets to the film whenever Zeebox detected the advertisement airing.

On May 8, , the advertisement became subject to an investigation by the British broadcasting regulatory body Ofcom for allegedly breaching broadcast rules when a voice over encouraged viewers to book tickets while the advertisement played and with the Channel 4 logo onscreen.

The act potentially broke a rule that advertising and teleshopping must be clearly distinguishable from editorial content. Although marketers typically avoid collaborating with adult-oriented films to focus on reaching broader audiences, the film attracted several promotional partners including Coors, Amazon, and Verizon FiOS.

Amazon directed interested users to purchase tickets through Fandango, and placed promotional material in products shipped to customers; this was the first time that Amazon had allowed such marketing by an external company.

The event was facilitated by BumeBox, which culled audience questions from social sites and delivered them to reporters to ask at the event.

A viral marketing campaign began on February 28, , with the release of a video featuring a speech by Pearce, in character as Peter Weyland, about his vision for the future.

Set in , the video presents a futuristic vision of a TED conference, an annual technology and design event held in Long Beach, California.

The segment was conceived and designed by Scott and Lindelof, and directed by Scott's son, Luke. The production was made in collaboration with, and made available through TED because Lindelof wanted to introduce new audiences to the conference itself.

TED community director Tom Rielly helped gain approval for the use of the TED brand, which had not previously been used for promotional purposes.

He was involved in designing the conference, preparing an "extensive briefing on all the visual and audio aspects of a TEDTalk circa and a corresponding speculation on how things would work in the future", that included flying video cameras and "live Twitteresque feedback".

Rielly claimed that the association generated millions of new visitors to the TED website. The video's release was accompanied by a fictional TED blog about the conference and a tie-in website for the fictional Weyland Corporation.

On March 6, , the Weyland website was updated to allow visitors to 'invest' in the company as part of a game to reveal new Prometheus media.

During the WonderCon, attendees at the film's panel were given Weyland Corporation business cards that directed them to a website and phone number.

Calling the number resulted in the caller being sent a text message from Weyland Corporation that linked them to a second viral video. Narrated by Fassbender, the video is presented as an advertisement for the "David 8" android, portrayed by Fassbender.

An extended version of the video was released on April 17, The advertisement details "David"'s features including its ability to seamlessly replicate human emotions without the restrictions of ethics or distress.

Accompanying the video, a full page "David" advertisement was placed in The Wall Street Journal; a Twitter account operated by a David8 was revealed, allowing Twitter users to ask the character questions; and a partnership with Verizon FiOS was launched, offering a virtual tour of the Prometheus spaceship.

In the video, Shaw requests Weyland's aid to seek out alien life, in a phone call monitored by Yutani, a fictional company from the Alien series.

In France, the Saint-Martin ghost train station was converted in appearance to resemble alien architecture from the film, visible to passing commuters.

The campaign continued following the film's release with a website referencing the philosophical novel Thus Spoke Zarathustra by Friedrich Nietzsche, and a further video of Pearce's Weyland, quoting the book.

Discussing the videos at the May Digital Hollywood conference, Lindelof claimed that they originated from the question of the film's status as an Alien prequel.

It was decided that creating videos with the film's stars would generate more interest than anything that could be said in regards to its connection to the Alien films.

He furthered that the challenge in creating the videos was that they needed to be good enough to justify their existence, but not so important that their absence from the final film would be an issue for audiences.

It was simultaneously released in IMAX theaters and in 3D, and it is encoded for D-Box motion seats that provide physical feedback to the viewer during the film.

In North America, audience tracking showed high interest among males of all ages, but low interest among females.

The week preceding release saw conflicting opinions on whether the film or Madagascar 3: Europe's Most Wanted would place number 1 for the weekend during their simultaneous release.

Additionally, the online tracking for Prometheus surged with each new piece of promotional footage. However, pre-release tracking is usually less reliable for animated films; since Madagascar 3 was the first truely family-oriented film of the summer, many speculated that there would be large demand for it.

Prometheus was also in the disadvantage of a less wide release 3, theaters against 4, theaters for Madagascar 3. Furthermore, the R rating of the film was considered a limiting obstacle.

Prometheus was initially released in 15 markets from May 30 to June 1, — about a week before its North American release.

The earlier start in these countries was timed to avoid competition with the start of the UEFA European Football Championship the following week.

The figure placed it as the number 3 highest-grossing second-place opening, the number 10 highest-grossing opening for an R-rated film, and it marked Scott's second highest-grossing opening behind the thriller Hannibal Reviews were frequently praising of both the film's visual aesthetic and design, and Fassbender's performance as the android David received almost universal acclaim.

However the plot drew a more mixed response, with criticism of plot elements that remained unresolved or were predictable, tempered by appreciation for the action and horror set-pieces.

The Hollywood Reporter's Todd McCarthy called the film's visuals vivid, stunning and magnificent on a technical level, singling out the performances of Fassbender, Rapace and Theron for praise, but lamented that the film catered too much to audience expectations, making it predictable.

Time Out London's Tom Huddleston felt the plot was "flat" and "predictable", the characters "emotionless", and that while the film was "perfectly entertaining", it did not live up to pre-release expectations.

Emanuel Levy cited the plot as his only complaint with the film, stating that it is unable to follow through with its philosophical ideas.

Roger Ebert gave the film 4 out of 4 stars, labeling it a "magnificent Ebert thought that the plot, in raising questions and not answering them, made the film "intriguing" and in the "classic tradition of golden age sci-fi".

Total Film's Jonathan Crocker however offered that the plot successfully integrated itself with Alien's mythology while offering its own original ideas.

Entertainment Weekly's Lisa Schwarzbaum was positive towards the cast, particularly Rapace, and the cinematography. Salon's Andrew O'Hehir offered that the film was "somber, spectacular and ponderous," but that the " portentousness and grandiosity O'Hehir also mentioned Wolski's cinematography and Max's production design.

The New York Times' A. Scott criticized the story as weak, undermining its "lofty, mindblowing potential" with "bits of momentarily surprising information bereft of meaning or resonance", but described Rapace as a "fine heroine, vulnerable and determined".

In a negative review, Variety film critic Justin Chang described the film's structure and genre as being unable to handle the philosophical undertow of the plot, and felt Prometheus was "lazily deferring" key plot points under the presumption that a sequel would be made.

The Guardian's Peter Bradshaw was less critical but thought that Prometheus "[lacked] the central punch of Alien", calling the film "more grandiose, more elaborate — but less interesting".

The Village Voice's Nick Pinkerton stated that the film is "prone to shallow ponderousness", that can "mimic the appearance of an epic, noble, important movie", but fails to "payoff".

He criticized Rapace and Marshall-Green for failing to instill interest in their character relationship, but added: "there are a few set pieces here that will find a place of honor among aficionados of body horror and all things clammy and viscous".

Lovecraft, to the drawings of William Blake. In North America, the DVD and Blu-ray disc versions of the film were listed for pre-order in partnership with Amazon, a week before the film had been released in theaters.

A limited number of tickets to the film were offered as a pre-order incentive. In a June , interview Scott stated that the home release would feature an extended cut of the film featuring an additional 20 minutes of footage and up to 30 minutes of deleted scenes.

In June , FX obtained the rights to the film's network premiere. During the March 17, WonderCon, Scott stated that the film leaves many questions unanswered, and that these could be answered in a sequel, saying "If we're lucky, there'll be a second part.

It does leave you with some nice open questions. Further detailing his sequel concept, Scott stated that it would follow Shaw to her next destination, "because if it is paradise, paradise cannot be what you think it is.

Paradise has a connotation of being extremely sinister and ominous. At the same time, I do feel like [Prometheus] might benefit from a fresh voice or a fresh take or a fresh thought.

Sign In Don't have an account? Start a Wiki. Contents [ show ]. Elizabeth Shaw Noomi Rapace David Michael Fassbender Peter Weyland Guy Pearce Janek Idris Elba Charlie Holloway Logan Marshall-Green Meredith Vickers Charlize Theron Millburn Rafe Spall Fifield Sean Harris Ford Scott claimed he had a responsibility to 20th Century Fox to be able to present a PG cut of the film if the studio demanded, allowing it to be viewed by a wider potential audience.

When asked about the rating, Scott explained "the question is, do you go for the PG, or do you go for what it should be, which is R? Financially it makes quite a difference On May 7, , Fox confirmed that the film had received an R-rating and would be released without any cuts being made.

Prometheus's marketing campaign began on July 21, , at the San Diego Comic-Con International, where images and footage from the film were presented by Lindelof and Theron, with Scott and Rapace participating via satellite contribution.

A segment of the footage showed Theron performing "naked push-ups" which attracted much attention. A teaser poster was revealed on December 14, , with the tagline, "The search for our beginning could lead to our end.

The teaser trailer was released on December 22, Reaction to the trailer was considered to be positive among WonderCon attendees and on Twitter, and it received nearly three million views in the three days following its release.

On April 10, , media outlets were shown a minute montage of scenes from the film's opening in 3D at the Vue Cinema in Leicester Square, London.

The screening was well received, with particular mentions given to the 3D visuals and the performances of Fassbender, Rapace, Theron, and Elba.

On April 29, , the international launch trailer debuted in the United Kingdom on Channel 4 during the first advertisement break of the TV show Homeland.

Viewers were encouraged to share their opinions about the trailer on Twitter, some of which were then shared in a live broadcast during a later break.

This marked the first time that viewers' tweets were used in a broadcast advertisement. Alongside the trailer, a competition was launched on the social platform Zeebox, offering viewers a chance to win tickets to the film whenever Zeebox detected the advertisement airing.

On May 8, , the advertisement became subject to an investigation by the British broadcasting regulatory body Ofcom for allegedly breaching broadcast rules when a voice over encouraged viewers to book tickets while the advertisement played and with the Channel 4 logo onscreen.

The act potentially broke a rule that advertising and teleshopping must be clearly distinguishable from editorial content.

Although marketers typically avoid collaborating with adult-oriented films to focus on reaching broader audiences, the film attracted several promotional partners including Coors, Amazon and Verizon FiOS.

Amazon directed interested users to purchase tickets through Fandango, and placed promotional material in products shipped to customers; this was the first time that Amazon had allowed such marketing by an external company.

The event was facilitated by BumeBox, which culled audience questions from social sites and delivered them to reporters to ask at the event.

Prometheus: The Art of the Film, a book containing production art and behind-the-scenes photos from the film, was released on June 12, The film was accompanied by an extensive viral marketing campaign, consisting primarily of a series of short films featuring cast members from the movie.

During the WonderCon, attendees at the film's panel were given Weyland Corporation business cards that directed them to a website and phone number.

Calling the number resulted in the caller being sent a text message from Weyland Corporation that linked them to a second viral video.

An extended version of the video, entitled Happy Birthday, David , was released to the general public on April 17, The campaign continued following the film's release with a website referencing the philosophical novel Thus Spoke Zarathustra by Friedrich Nietzsche, which is quoted by Weyland in TED Conference, It was simultaneously released in IMAX theaters and in 3D, and it is encoded for D-Box motion seats that provide physical feedback to the viewer during the film.

In North America, audience tracking showed high interest among males of all ages, but low interest among females. The week preceding release saw conflicting opinions on whether the film or Madagascar 3: Europe's Most Wanted would place number 1 for the weekend during their simultaneous release.

Additionally, the online tracking for Prometheus surged with each new piece of promotional footage. However, pre-release tracking is usually less reliable for animated films; since Madagascar 3 was the first truely family-oriented film of the summer, many speculated that there would be large demand for it.

Prometheus was also in the disadvantage of a less wide release 3, theaters against 4, theaters for Madagascar 3. Furthermore, the R rating of the film was considered a limiting obstacle.

Prometheus was initially released in 15 markets from May 30 to June 1, — about a week before its North American release.

The earlier start in these countries was timed to avoid competition with the start of the UEFA European Football Championship the following week.

The figure placed it as the number 3 highest-grossing second-place opening, the number 10 highest-grossing opening for an R-rated film, and it marked Scott's second highest-grossing opening behind the thriller Hannibal Prometheus received mixed to positive reviews from critics.

Reviews were frequently praising of both the film's visual aesthetic and design, and Fassbender's performance as the android David received almost universal acclaim.

However the plot drew a more mixed response, with criticism of plot elements that remained unresolved or were predictable, tempered by appreciation for the action and horror set-pieces.

The Hollywood Reporter's Todd McCarthy called the film's visuals vivid, stunning and magnificent on a technical level, singling out the performances of Fassbender, Rapace and Theron for praise, but lamented that the film catered too much to audience expectations, making it predictable.

Time Out London's Tom Huddleston felt the plot was "flat" and "predictable", the characters "emotionless", and that while the film was "perfectly entertaining", it did not live up to pre-release expectations.

Emanuel Levy cited the plot as his only complaint with the film, stating that it is unable to follow through with its philosophical ideas.

Roger Ebert gave the film 4 out of 4 stars, labeling it a "magnificent Ebert thought that the plot, in raising questions and not answering them, made the film "intriguing" and in the "classic tradition of golden age sci-fi".

Total Film's Jonathan Crocker however offered that the plot successfully integrated itself with Alien's mythology while offering its own original ideas.

Entertainment Weekly's Lisa Schwarzbaum was positive towards the cast, particularly Rapace, and the cinematography. Salon's Andrew O'Hehir offered that the film was "somber, spectacular and ponderous," but that the " portentousness and grandiosity O'Hehir also mentioned Wolski's cinematography and Max's production design.

The New York Times' A. Scott criticized the story as weak, undermining its "lofty, mindblowing potential" with "bits of momentarily surprising information bereft of meaning or resonance", but described Rapace as a "fine heroine, vulnerable and determined".

In a negative review, Variety film critic Justin Chang described the film's structure and genre as being unable to handle the philosophical undertow of the plot, and felt Prometheus was "lazily deferring" key plot points under the presumption that a sequel would be made.

The Guardian's Peter Bradshaw was less critical but thought that Prometheus "[lacked] the central punch of Alien", calling the film "more grandiose, more elaborate — but less interesting".

The Village Voice's Nick Pinkerton stated that the film is "prone to shallow ponderousness", that can "mimic the appearance of an epic, noble, important movie", but fails to "payoff".

He criticized Rapace and Marshall-Green for failing to instill interest in their character relationship, but added: "there are a few set pieces here that will find a place of honor among aficionados of body horror and all things clammy and viscous".

Lovecraft, to the drawings of William Blake. In North America, the DVD and Blu-ray disc versions of the film were listed for pre-order in partnership with Amazon, a week before the film had been released in theaters.

A limited number of tickets to the film were offered as a pre-order incentive. Prior to release, rumors circulated that the home release would feature an extended cut of the film, similar to those of the four Alien movies, featuring as much as 20 minutes of additional footage.

However, Ridley Scott ultimately declined to create such an alternate version. The Blu-ray release of the film contained two commentary tracks, featuring Scott and the movie's writers, respectively, as well as almost 40 minutes of deleted scenes.

The 3D Blu-ray release additionally came with a bonus disc containing a feature-length documentary entitled The Furious Gods: Making Prometheus.

A novelization of the film was written by Joe Spies and Damon Lindelof , although it was only published in Japan. The soundtrack by Marc Streitenfeld was released on CD and for digital download.

NECA produced a line of action figures based on the film. Sign In Don't have an account? Start a Wiki. Do you like this video? Contents [ show ].

Elizabeth Shaw Noomi Rapace David Michael Fassbender Meredith Vickers Charlize Theron Janek Idris Elba Peter Weyland Guy Pearce Charlie Holloway Logan Marshall-Green Fifield Sean Harris Millburn Rafe Spall Chance Emun Elliott Ravel Benedict Wong Ford Kate Dickie Mercenary Branwell Donaghey Mercenary Vladimir Furdik Mercenary Smiff Mercenary Shane Steyn Last Engineer Ian Whyte Ghost Engineer John Lebar Sacrifice Engineer Daniel James Shaw's Father Patrick Wilson Young Shaw Lucy Hutchinson Shaw's Mother The Predator returns to Earth, this time to stake a claim on the war-torn streets of a dystopian Los Angeles.

Warring Alien and Predator races descend on a rural Colorado town, where unsuspecting residents must band together for any chance of survival.

The main crew of the Covenant and their android Walter enjoy a final meal before cryosleep on their way to a remote planet.

An astronaut becomes stranded on Mars after his team assume him dead, and must rely on his ingenuity to find a way to signal to Earth that he is alive.

Following clues to the origin of mankind, a team finds a structure on a distant moon, but they soon realize they are not alone.

So I saw the long awaited "Prometheus" tonight. Overall, rather good, but the characters annoyingly and jarringly flaunted so many basic health and safety regulations regarding potential contamination, infection, quarantine and exposure to physical injury from not wearing adequate safety equipment in an unfamiliar extra-terrestrial environment etc.

Maybe we're just supposed to be careless or stupid in about 80 years' time. Also, while not being pro-god or creationist as such, it did kind of take a dump on Darwinism and the role of evolution in our existence.

Being in 3D was fairly pointless. I even had to check that it was by taking the glasses off. It was, but barely noticeable.

Gorgeous sets and imagery, but I wasn't too happy about what the Engineers or "Space Jockeys" look like under their bio-mechanical suits.

It was plagued by thoroughly unbelievable and rather unprofessional characters as well. Dumb scientists and ship crew lacking the professional integrity you'd expect from a trillion dollar mission.

Oh, and the old Weyland guy was a bit rubbish. Just Guy Pearce with lame prosthetic wrinkles.

How about using an actual old man actor with an actual old bone structure? He stuck out like a sore thumb. Anyway, I have to pick fault, but it's very much worth a watch and most people aren't as picky as me I guess.

I still wish they'd stop making films as if we're all dumb 15 yr old kids without any real intelligence though.

And it should have been purposely made to be an 18 certificate in the UK at least. Sign In. Keep track of everything you watch; tell your friends.

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